‘Woven Nature’ Workshop – 21st September

I’m delighted, excited and a little daunted to share the news that I will be running a day-long workshop at Gilbert White’s House and Gardens on 21st September 2022.

‘Woven Nature’ inspired by Gilbert White’s House and Garden

This amazing opportunity has come through Sophie Hacker, the ‘artist-in-residence’ at Gilbert White’s this year. Sophie, who I knew through her connection to Winchester Cathedral, saw the wallhangings on my Instagram feed and wanted to know more. Chatting together, she thought they would make a great workshop subject in her ‘residential’ year, because it fits the ethos of Gilbert White’s; using traditional skills, natural fibres, and upcycled/preloved items, but to create something with a contemporary feel. With Sophie’s encouragement it has also been good to explore how my background as priest, amateur naturalist and occasional gardener also fits with Gilbert White’s own story.

I was privileged to spend time with Sophie in recent months as we’ve explored and shared some of our skills and the delights of Gilbert’s Garden, and I will be delighted to have her as my ‘assistant’ during the workshop. Since she first mooted the project, I have been able to develop some visual ideas based on the scenery in and around the Gilbert’s Garden, some of which I’ve shown here. Her initial conversation with me also came at a time when I was starting to explore the use of willow frames for some of my work, and has been the catalyst for me seeking to extend the range of natural fibres I use, including making twine from garden plants including Phormium (New Zealand Flax) and Rhubarb, more of which in a future post.

Rhubarb twine in the rhubarb patch in the vegetable garden at Gilbert White’s House and Garden.

I will be leading the workshop in the wonderful barn of the Gilbert White Field Studies Centre. Participants will learn to weave a simple hoop of willow and be introduced to the basics of the tradition of Dorset Button making. Sophie will also help participants explore Gilbert White’s garden as they develop ideas for a small wall-hanging which they will be able to create during the rest of the day. Materials will be provided, including willow, threads, upcycled items and a variety of natural fibres. Participants are also encouraged to bring along any fabric and yarn scraps, ribbons or old jewellery that might be appropriate. Further details and a booking form are on the Gilbert White’s House and Garden events page.

A wallhanging I created, inspired by the meadows and woodland visible from the lawn in front of Gilbert White’s house, photographed among the old roses of the Six Quarters Garden.

Sophie Hacker works in a wide variety of media including stained glass and has in recent years produced works for Romsey Abbey (The Calling window, a memorial to Florence Nightingale) and Winchester Cathedral (the ‘Water into Wine’ altar frontal in the Epiphany Chapel). She was the first professional to describe me as an artist! I am indebted to her for giving me the confidence to extend my creative and presentation skills in this way, and to the team at Gilbert White’s who will I know make participants as welcome as they have made me. Do come and join us for what I’m sure will be a wonderful day.

If you would like to explore hosting or attending a similar workshop with me, please do get in touch here on my blog, via Instagram, Twitter, and Facebook. You can see a video of me creating another of my designs on my YouTube Channel and a limited amount of jewellery is available on my Etsy, with more in the shop at the Sustainability Centre near East Meon. More items will hopefully be made available during the summer. I look forward to meeting you.

Another wallhanging inspired by Gilbert White’s House and Garden: this one features weaving with twine made from the fibres of New Zealand Flax leaves.
Gilbert’s “Pipe Seat” in the meadow: a wallhanging created using the skills of a Dorset Button maker, art-yarn, remnant threads, a pebble, some dried Pear Tree bark, and some New Zealand Flax fibres for the thatch.

Burn out – remove, replace, refit… renewal?

On Monday we had our kitchen ripped out. It wasn’t new when we moved in 24 years ago: now it wass falling apart in an increasing number of places, and in urgent need of renewal. Having a full kitchen refit is possibly one of the more significant upheavels any household can take on: we’re cooking on a hotplate in the spare room, and I’ve just washed up outside. Whilst this has been several months in the planning, the last month has to a significant degree been focused on this week, and what has turned into a bit of an epic project after significant electrical faults were identified at the end of May – we are fortunate that we’d not gone up in flames years ago.

Laying bare the the old, unhealthy skeleton of our kitchen, ready for replacement and renewal

All this has been tracked, almost exactly, by my emotional resilence and stamina developing significant faults – I had nearly fried myself completely. So, I’ve started to take myself apart too and stepped back from ministry (thankful for a supportive incumbent and permission-giving spiritual advisors). Ironically yesterday was the 8th anniversary of my ordination as Deacon, and I feel bad that I’ve had to temporarily step away so soon, but I had no more to give, so have slowed the pace of my life right down with the active encouragement of my husband. Now, having completed my main contribution to the kitchen project (there were an awful lot of boxes to be packed and put into storage), I can start on my own personal refit: mentally, creatively, spiritually and perhaps even physically.

It’s not the kitchen’s fault, nor the fault of the parishes I serve, though there are contributing factors in both those areas beyond anyone’s control. The menopause, and a slightly rocky start into HRT are also making significant contributions! I’m not sure it’s particularly my ‘fault’ either though my habit of doing to much has caused issues in the past – but never quite on this scale. However, it is a reflection that the balance of the ministry and administrative commitments I’ve voluntarily shouldered is no longer sustainable mentally and physically in combination with other important strands of who I am as a wife, daughter, mother and friend, combined with my calling as a priest and a creative. Having temporarly cleared some things out of the way, it’s time to work out what exactly it is that needs to be integral to rebuilding the fittings of my life, so that I can return better suited to how I make myself available in future.

I have some inkling of what I need to focus on, but not sure I yet have the strength (emotional and physical) to make them a reality. There are some things I can’t control (hormone levels and reactions included) and there are several things that I’ve tried, unsuccessfully, to sort out in the past; so I need to work out what things to accept about myself, and where I can realistically create better habits. There are several things I suspect I need to prioritise but first of those comes rest, something that has had to wait until now, when workmen start to take the weight of the kitchen refit. So in no particular order the things I need to include in my own personal “refit” include:

  • Mental rest from doing too much and from constantly ‘double-thinking’ for others as well as myself, a bad habit to have got into. I have a sneaking suspicion that part of this is being a woman and a mother – are we hard-wired to think for others as well as ourselves I wonder…;
  • Physical rest alongside developing a proper pattern of gentle exercise in the natural world I love and which can better sustain me during active ministry (sounds like an oxymoron but perhaps you get what I mean -and it would be easier if hormones weren’t causing me both pain and anxiety);
  • Renewing my personal prayer life – which has always been less than ideal – in a way that sustainably nurtures and has more integrity with what I seek to enable and encourage in others. My prayer life has become saturated with the public bits of ministry, rather than sustained by soaking myself in God’s presence;
  • Enabling the exciting opportunities that God has presented me with through the traditional and creative skills I’ve been developing in the last two years, so that they form an honoured part of the whole of me, rather than the hiding place that they had become, and more than just a way of seeking positive/encouraging feedback. There is a small project in the wings in this area that might prove important, but it’s not quite ready to ‘go public’ yet;
  • Continue the process of patiently grappling with my own particular experience of menopause and HRT and the physiological responses to hormone levels that I’ve had to adapt to and live with since I was a teenager – like all women, but we all have different experiences of and responses to this;
  • Give more time to family and friends who have been sidelined by my unerring ability to step in and ‘gap fill’ administratively and in other ways, just because I know roughly what to do after years of working in various capacities in the CofE;
  • Find joy in reading again, for pleasure and to inspire and feed my spiritual life – I haven’t read a whole ‘theology’ book since I completed my curacy essays 5 years ago, and have read very few of the novels and biographical style books I used to love. As a way of doing the latter I’ve started to re-read the Terry Pratchet Discworld sequence from the beginning – because at least I’ll get a belly laugh along the way;
  • Work out how to stop feeling guilty for… well everything, anything… doing too much, doing too little, having a body that’s a pain in the ass (quite literally at times), not praying enough, not loving Jesus enough, not letting my emotions out, letting them get the better of me… you get the picture;
  • Work out how to include the role/s I hold in the wider community that bring with them anxieties and workloads that are not necessarily helpful, but as significant and important to others; I stood back from one earlier in the year (as a committee member of a local village hall) but I will need to return to my responsibilities as a School Governor;
  • Renewing my working agreement in discussion with our long-suffering incumbent, to better reflect my particular calling as a part-time, non-stipendiary priest, who is most alive to the working of the Holy Spirit (and unsurprisingly most useful to others) in various forms of creativity – artistically as well as in services and sermons (something to address when I return from a much needed holiday).

That seems like rather a long shopping list I realise, and you might suggest I shouldn’t be baring my soul quite so publically; but writing it down like this is as much about trying trying to articulate the issues to myself, as it is about the fact that I believe we should be more open about the mental and spiritual health journeys we take – for our own good, as well as to encourage others.

Currently, I’ve agreed a three month respite with my colleague and churchwardens, which was today approved as a ‘starting point’ by my GP. It may take longer (which is probably not what the parishes want to hear) and any healthy habits I can develop must contribute to, and be realistically sustainable in the long-term as part of my ministry. Most of those bullet-points can’t be resolved in isolation from the advice, direction and prayer of others I may or may not know, as I seek to develop the sort of open resiliance (is that a thing) that will allow/enable God to rebuild and renew me.

If you have read this far as I’ve rather openly thought through where I find myself, thank you. Any words of wisdom or suggestions will be welcomed with an open mind. God (as well as the goodwill of others) is I sense very much enabling this break in ministry, and I hope that my own personal refit can be as helpful in the long-run as I expect our kitchen refit to be!

Learning to felt paint – a Mandarin Drake

In August 2021 my husband and I visited the studio of Nicky Heard, a wildlife artist whose stunning images are created from wool! Call it felt-painting, wool art, needlefelting, whatever you like, her work is amazing and award winning. And she leads classes in her studio in Locks Heath, near Southampton.

It took two attempts, because Covid. Even then, the pattern of classes stuttered slightly, because Covid. But they have been a total joy, despite the two hour round trip from Yateley each time. I have learnt so much, not only through her explanations of how to use wool and other natural fibres, but also by watching her work on her own pieces alongside us.

In January this year, I visited Eyeworth Pond, in the New Forest with my Dad – who used to be Head Keeper for the north of the New Forest. As a young child I had riding lessons in nearby Fritham and regularly passed this pond. For both reasons, this is a favourite place to return to, not least because of the community of stunning Mandarin Ducks that have become naturalised since their ‘accidental’ release there many years ago. One of the photos I took that day, became the subject of my first foray into felt-painting under Nicky’s expert tutelage.

My photograph of a Mandarin Drake that Nicky helped me to emulate – in wool!

I’ve created a short video HERE of how the painting developed, as a memory-jogger for myself, as much as for anyone else!

Nicky has recently been featured in the Guardian Arts magazine, is exhibiting with Chalks Gallery in Lymington, has an online shop and often appears at craft fairs. She will be part of this years Hampshire Open Studios, and with her ocean-artist daughter Jasmin with whom she now collaborates on some projects, will be exhibiting at the Southern Nature Artists Exhibition over August Bank Holiday. I can thoroughly recommend you visit any or all of these – or take one of her classes!

I’ve got some ideas for combining these skills with my contemporary Dorset Button wallhangings… but I must get ahead of myself!

My finished Mandarin Drake – given to my Dad to celebrate the occasion of his 90th birthday.

The Jailor’s wife – Acts 16:16-34

I had been really looking forward to leading and preaching at All Saints Church, Minstead last Sunday, on a weekend when my Dad was celebrating his 90th Birthday, and another friend their 80th Birthday. However, it wasn’t to be as we ended up being Covid-bound at home; whilst I remained negative, my husband had brought it home from school and we didn’t want to risk the health of older relatives and friends. However, I am deeply grateful that not only did Dad step in to lead the Service of the Word, with musical support from our son, our future daughter-in-law, and the local vicar (to whom particular thanks), but his friend Karen was able to inhabit the character of the Jailor’s wife. This is my most recent monologue, and a pair for last week’s monologue on Lydia.

All Saints Church, Minstead

I’d never thought of us as being enslaved to Rome, but that night would transport us from being captive within a violent system, to being free to risk all in service to a risen King.

My husband took his job as the chief jailer here in Philippi very seriously; not least because it was the role he’d been awarded for his long service and good conduct in the military. Here, in this outpost of Roman power, we benefited from the gift of a settled family life in the heart of a city. Yes, we had to live ‘over the office’ is it were; yes, my husband’s authority was defined by the dutiful rigour with which he enforced the whim of the city’s officials; and yes, at times the stench from the prison cells could be deeply inhibiting; but we enjoyed the freedom that came with our social status. With the prison and thus our home so close to the public forum at the centre of Philippi, here was little that happened without us knowing.

We knew that there was a small group of a new Jewish sect in town – the Jesus-men I called them. They’d taken up residence with Lydia, the dealer in purple cloth. That seemed to jeopardise the status on which she relied for her wealthy trade, but she’d always been a rather independently-minded woman and it was hardly our concern. I did of course know that she regularly joined the Jews at worship in their prayer-station on the river bank outside town (Acts 16:13), but that wasn’t somewhere we ever went.

We were also more than familiar with the fortune-telling of the young Delphic-woman and her over-zealous, greedy minders. There was often more than a grain of truth in what she revealed, but her fascination with the Jesus-men who travelled out to pray by the river daily, seemed unusual. For days she was like an annoying stray dog, always yapping at their heels about some most High God, and something about a way of being saved. Well, I thought, we’d all like to be saved from a way of life that exerted authority through greed and violence, but something has to pay the bills. And, I doubted whether even the greatest god in the pantheon, be it Zeus or ‘the One’ the Jews believed in, was capable of paying the price to set her free.

How wrong was I?! Wrong about the One, wrong about the price of freedom, wrong to think it wasn’t possible to live with different priorities, wrong to think that it was only others who were oppressed by the violence that surrounded us.

I watched as these Jesus-men were dragged into the public forum. Apparently, they had uttered that name “Jesus” over the Delphic-woman. Now she was silent, free from the fortune-telling spirit whose power had spoken through her, and the grasp of those who had manipulated her for their own gain. But, there’s no-one so hard-done-by as a salesman whose gimmick has been busted, nor so canny; so these Jesus-men weren’t charged with property damage, but with disturbing the peace. Which was ironic, as doing so brought anything but peace. People love a band-wagon to climb on, even if it’s based on trumped-up charges, blatant discrimination, or a desire to exert power – and this was all three. There was a riot.

And the Jesus-men were beaten.

The senior civil-servants dealing out this so-called justice, may have been inured to inflicting pain, perhaps because they only briefly saw the consequences. However we did. The bloodied and bruised Jesus-men, Paul and Silas, were brought into the prison for our safe-keeping. We knew what the unsanitary depths into which they were shackled would do to open wounds. But mercy was not a word that the authorities understood, so we weren’t allowed to show it. Having done what was required of us, we slept; but not for long, because the earth moved.

We were used to the earthquakes, they’re relatively common here, but this was more terrifying. As we fled outside to safety, over the rumbling of the earth we could hear the cell doors falling from their hinges, the rattle of prisoners chains falling free, and the sound of something else, something like… songs of joy coming from deep inside the prison?! I was frightened of what my husband would do to himself as he ran, sword in hand, toward what should have been crumbling walls. I followed at his call, and there, in the lamplight, found him trembling on his knees at the feet of the prisoners within. Time stood still.

[Pause]

All the prisoners were free, but no-one had escaped. My husband seemed captive to the fear that even so, his life would be forfeit. I was simply flooded with relief, that he, that we, were all still alive. When he brought Paul and Silas out into the open, I could see the confusion on his face, and I heard it in the question that came stumbling from his lips: “What must I do to be saved?”

And then they spoke the name that had given freedom to the Delphic-girl, the name that had brought them to this place, the name they had been singing as my husband ran towards them… Jesus. “Believe in the Lord Jesus, and you will be saved. You and your household.”

There in the prison yard that night, those men spoke words that healed my husband, and I, from the painful scars inflicted on us by our blind acceptance of others expectations. As we carefully washed their wounds clean, they spoke words of healing which showed us that being bound to the One, true God, was a far greater service to the world he has created, than we could ever offer to a society which demanded hardened hearts and minds. We opened our home to these men who had travelled to us in response to a vision given them by the Spirit of the living God, and then been imprisoned at our hands. In return, they offered us the hospitality of Jesus in whose name they proclaimed these freedoms, breaking our bread to speak of a redemption that brought us to sit at table in unity and harmony.

There are some forms of light that shine more brightly than a candle in the darkness, or the sun at dawn. There are some forms of cleansing that can heal wounds that are far deeper than the eye can see. Yes, some insist on the freedom to bear arms, to carry keys that imprison, to manipulate the innocent; but there is also the freedom to understand that we need not be shackled to those behaviours, that we can be healed of our selfish adherence to power-politics and our bondage to that which destroys our humanity.

As our lives are being transformed by the message of freedom to be found in Jesus Christ, as we rise washed by the waters of baptism to a new life that will imprison no-one, least of all ourselves, the only duty which now carries any weight for us is that of learning more of the One who sent him because he loves us. As we work to release others from whatever evils control and manipulate them, we too can sing of freedom in Jesus Christ, our Lord.

All Saints Church, Minstead has a wonderful ‘three decker’ pulpit, a very ancient font that spent hundreds of years buried in the old Rectory garden, and is the final resting place of Sir Arthur Conan Doyle. It is well worth a visit!

Lydia – woman of the living God Acts16:9-15

This monologue formed part of our Morning Worship at St. Barnabas, Darby Green today. If you would rather watch than read it, it’s available on YouTube here, the sermon starting at 26:40. As background, I used various sources, including Elaine Storkey’s ‘Women in a Patriarchal World’, an article in Reuter’s about how the Tyrian purple dye that contributed to the fine cloth that Lydia sold was made. In worship we sang Rev’d Ally Barrett’s hymn ‘For all with heavy loads to bear’ which seemed to resonate, linking our lives with that of Lydia’s.

The spiney whelk shell that I used as a visual aid, as it was the nearest in shape that we have to the muricidae from which Tyrian purple is made. Photo credit: my husband Graham Hartland.

For a long time, I had been convinced that there was more to life than the prosperity granted me by THIS mollusc shell. The know-how that turns the shell and glands of this little creature into something as stunning as THIS purple material may not be purely mine, but having the nouse to turn a local handicraft into a niche business supplying only the finest cloth was definitely down to my own hard work, good connections, international travel and the decisiveness that drives a hard bargain.

In earthly terms, I am a woman of independent means and mindset; someone who in my business dealings has extended the boundaries of our patriarchal society in every deal I’ve brokered. I might ‘only’ be a woman, but no man had yet found that they could make me an offer which I couldn’t refuse if I sensed a better deal was round the corner. Perhaps that was why no-one has yet proved to have the emotional intelligence to become my partner in business, or in bed. Yes, I knew something was missing in my life, some focus or purpose, but not that!

You can put it down to my innate business acumen if you like, but my search for something more meaningful than molluscs and money also relied on knowing which boundaries to break, where and when. That was why I, a Gentile, took the Jewish sabbath as my own, and spent it outside the city walls with women who could match me in their intellect and curiosity to know “the truth”. Here we were safe, outside the city gates that proclaimed a divisive prohibition against freedom of thought where faith was concerned; away from the pagan hustle and bustle of Philippi life, and the machismo of men who make endless sacrifices to polished gods that do nothing more than adorn mantelpieces.

We shared a lot, these women and I. Whatever their status in society or in marriage, their household or their business responsibilities, as we studied and we prayed together, we laughed and we cried, and we cared for each other. Those of the Jewish tradition introduced us to the One who created and directed all things; the One who brought this shell to our shores, and inspired those who had discovered and utilised it’s properties; the One who remained faithful to them even here on the edge of the Roman Empire, some distance from the centre of their faith in Jerusalem. This redeemer God wasn’t a distant, dusty ornament, but as close as THIS cloth and shell; the first, the last, the one true God (Isaiah 44:6) who seemed to be alive, and who I yearned to know better.

We were understandably surprised to see a visiting group of men approach us that Sabbath-day. Apparently, these men know we would be here, not least because the city didn’t have a synagogue to welcome them. They were only too happy to meet us, daring not only to be seen with us, but eager to explain that they had been compelled to come to Philippi by a vision, gifted them by the living Spirit of this One God.

I listened eagerly to what their leader Paul told us of Jesus, his death and resurrection and the power with which the Holy Spirit directed and enabled them to proclaim him as their Saviour and healer, a servant King who taught by example that to serve others was to serve Him. Paul’s friend Silas was also from Jerusalem, and brought assurances to my Jewish sisters, my Gentile friends and I, that Jesus had really come not only to reveal this new covenant to the people of Israel, but to everyone, without fear or favour, whatever our social status, gender, creed, nationality or occupation (Galatians 3:28). Young Timothy, showing a pastoral sensitivity beyond his years, urged us to understand that by placing our faith in Jesus Christ, by loving him with a pure heart and a good conscience, we would be advancing the work of the One, the living God (1 Timothy 1:4-5). I remember one other of the party well; Luke, a doctor and a scribe, as keen to capture and share our stories as he was to bring healing to those ailments that restricted our work and ability to live full lives. Most significant of all, like me he was a Gentile, and yet unwavering in his faith in Jesus, and his desire to serve and proclaim the hope that comes from welcoming the Lord’s living presence into our being.

Listening to them all was unquestionably the most important experience of my life. All that I had yearned for, the aching void in my heart, was suddenly filled with a deep-seated, bubbling joy as I became aware that Jesus had been gracious enough to visit me with this living Spirit, through these four men. I knew life would never be the same again, that all THESE God-given things (shell and fabric) and more, I would now use to serve Jesus Christ, whatever the cost to my previous plans and personal status.

So eager was I to share this news with those who were closest to me, that I hurried home, returning to the now gathering crowd at the water’s edge with my household, keen that those I trusted with my very life should also have revealed to them the loving, living presence of the One who deserves THESE royal robes of Tyrian purple more than I. There on the river bank that day, a holy of holies, Jesus came and dwelt with us all, tearing apart the curtain of unknowing that had isolated and divided us from each other, and binding us together as a fellowship of equals. As the waters of baptism closed over me, I was set free from the selfish desires that my wealth had been dangerously close to overwhelming me with, and rose to the surface, assured that I was now equipped to serve my living Lord through the hospitality and generosity of the God-given gifts he had long-since graced me with.

I knew now that the stakes were far higher than the simple risks of market trading. As I persuaded Paul, Luke and the others to return into town with me, and make themselves at home among my fine furnishings instead of their tents, I knew that my behaviour now jeopardised everything I had worked for; my personal and professional reputation. But those transient gifts of a society I know recognised as being built on greed, were as nothing to the surpassing worth of knowing Jesus Christ my Lord (Philippians 3:8) and learning more of Him, risen and alive in every fibre of my being.

It wouldn’t be long before the price that would be required of me was made apparent. Within days Paul and Silas would find themselves severely flogged and imprisoned, having freed a local fortune-teller from the slavery of her ungodly gift (Acts 16:18). Yet even the earth trembled in witness to the resilience of their faith, and as they added the jailer and his family to the numbers in Philippi who accepted Jesus as their Lord and Saviour, like me. The self-serving duplicity of leaders was likewise made clear when they discovered that in seeking to appease one abusive trader and his friends, they had made themselves vulnerable to more significant charges of injustice against citizens of Rome (Acts 16:37-39).

Paul, Luke and the others went on their way, sharing their news widely, but kept faithfully writing to us here in Philippi to encourage and at times correct us in our new-found faith. On the face of it, not much changed for me, as I still trade between this little corner of the Roman Empire and my homeland in Asia. But now God’s living truth and love dwells HERE within my heart, because of Jesus’ death and resurrection. The blazing fire of the Holy Spirit has humbled me, burning away the pride I took in being set apart from others by the harassing hospitality I showed the wealthy with whom I haggled for every last penny. Now I practice a less demanding and divisive hospitality, creatively using my property and investments, as well as the art I sell, to welcome and affirm people of every and any walk of life. My insight and decisiveness now proclaims the love of God, as I quietly persevere in works of loving service to others (Revelation 2:18-19), here in Philippi and in back in Thyatira. For me, that is what it means to be in Christ, empowered by the Holy Spirit; to be a woman devoted solely to the one, true and living God.

Woven Willow wreaths for contemporary Dorset Buttons wallhangings

There are lots of exciting ideas and opportunities going on in the more creative elements of m life and ministry at present. The first to go from general idea to something like reality has been making a form of sustainable hoops for my contemporary take on Dorset Buttons.

The Instagram crafting community is both inspiring and informative, and I’m learning so much via that form of social media. That’s where I ‘met’ Louise ‘Rough Around the Hedges’, and we planned to meet for her to teach me to make single hoops, but Storm Eunice put paid to that. However, she’s made some videos for me to follow, so more of that later…

In the meantime, a conversation with Louise about possible sources of sustainable weaving willow in Hampshire led me to the Sustainability Centre at East Meon in the South Downs National Park, and their generous team. Through the generosity of their team, I was given not only some willow to try my hand at making small willow wreaths, but also a pre-made 6” wreath, and the opportunity to make some stock for their gift shop!

A gift and a challenge: a small bundle of green willow gifted me in late winter by the Sustainability Centre in East Meon, Hampshire (on a table in their great vegetarian cafe).
My first attempts at wreath making: on the right, rings made from drier willow that I’d soaked for a couple of days in some plastic tubing, and on the left rings made of green willow.
Working out how to create spokes for a Dorset Button on a Willow wreath.
The first Dorset Button I created on a Willow wreath ring. Made using art yarn from Gaia Fibre Studio, a variety of other yarns, sari silk ribbon, old silk shirts and synthetic as well as natural yarns – basically anything that would create the effect I wanted as the basis of one of my ‘Strandline’ designs

As you can see from the sequence of photographs above, and the finished article below, this has proved a great success, and not just with me – I’ve sold one a bit like this too! The next stage of this element of my creative interest is to go back to Louise’s now complete video’s on how to make single hoop willow rings, and try a similar trial run. But there’s plenty else going on besides that, and some really exciting things to share soon.

The finished ‘Strandline’ wallhanging, featuring beachcombed stones and shells, beads (both new and upcycled), upcycled upholstery tassels and lace ribbon. This will be among the items that I will delivering to the Sustainability Centre for sale in their gift shop later in May.

Year C, 3rd of Lent – Prayer before dismissal

Just a quickie as I prep for Holy Communion at St. Barnabas Darby Green this weekend.

I was trying to find something suitable as a dismissal prayer that went with Luke 13:1-9 and couldn’t find anything that quite worked, so I’ve ended up writing this. Not sure it’s much really, but it might help someone.

Not remotely a fig tree, but cheerful spring blossom as a wallhanging.

Lord God, we yearn to be like the fig tree
Which bears fruit throughout the year.
Feed and nurture our faith in Jesus this week,
That through the power of your Holy Spirit,
We might be strengthened to grow in acts of love and service,
To the glory of your holy name.
Amen.  

‘Forest of Arden’ – creating a memorial commission “As You Like It”!

Shortly after Christmas I received a commission for “one of my ‘buttons'” in memory of Professor Michael Hattaway who died last year. The commission was from his widow (a friend), and the brief was a 12″ roundel on the theme of the ‘Forest of Arden’ from Shakespeare’s play ‘As You Like It’ – design to be my choice. No pressure then!?!

I had already got in my head a vision of a ‘forest’ piece, involving trees on both sides of clearing; this seemed to fit the bill. To me, this summarises what a forest is – open woodland with large areas of open land, which may or may not be grazed by deer or other animals. Think New Forest – it is after all where I come from!

The plot of ‘As You Like It’ (which I admit to not ever having seen, though now I really want to) seems to involve grumpy parents, young love, banishment, ‘The Forest of Arden’, disguises and at least one shepherd – what you might call a pastoral affair. An internet search for images related to the play emphasised that idea, but I knew that people and animals would not be my forte (with my current skill set), and the best I would be able to achieve would be some sheep.

The ‘skeleton’ of my ‘Forest of Arden’ piece with some synthetic and art yarns already in place.

So, I set to and created the outline that I had visualised, trying to bring together two trees (which because of the yarn colours I had were in my head a Birch tree (left) and a Beech tree (right). The ‘clearing’ was the most authentically ‘Dorset Button’ element. I had already sourced some lovely leaf shaped beads, which I augmented with further supplies of colours that seemed to fit the summer-y feel of the piece. There’s a list of suppliers below.

Once the embroidery hoop was blanket stitched, and basic outline completed with acrylic yarns (for strength), I used art-yarns to fill in the clearing, and wired additional branches into the two trees, with the leaf beads attached. Branches were then blanket stitched. The slightly hilarious bit was working out what size the needle-felted sheep would need to be, which involved cutting out shapes and laying them on the partly completed piece. These would be only my second attempt at needlefelting, but I had some lovely British fluff to work with (from another ongoing project) and felt the results were worthwhile. The only way I could infer the love stories that lie within both the play, and the commission itself, was to include two intertwined wooden hearts.

Further explorations of the text of the play by my husband suggested that a chain necklace featured as a love-token and created a desire to obliquely reference the famous ‘Seven Ages of Man’ speech that features in ‘As You Like It’. The chain I located from a collection of ‘upcycled items’, remnants of my great-aunts collection – she was artist who used plaster to mould sculptures (having had to leave Birmingham Art School for the family jewellry business in the 1920’s when her father discovered she was ‘drawing nudes’!) I referenced the schoolboy element of the ‘Seven Ages of Man’, by making a tiny school satchel using some upcycled suede patching from materials left by my mother. Other items used included modern seed beads, upcycled beads, and a piece of driftwood, probably from Shingle Street in Suffolk last holiday.

Working out the size of the sheep!

It ‘just so happened’ that I completed this piece on Valentine’s Day, and delivered it to my friend, the Professor’s widow on what would have been his birthday! I was very pleased, and not a little relieved that she was delighted with it, and gave me permission to share the details with you. I also discovered that one of the Professor’s ‘things’ about ‘As You Like It’ was his insistence on the concept of ‘forest’ involving wide open ‘lawn’ areas, just like those I grew up with in the New Forest! My only regrets are that I never met Prof Hattaway myself, and that I knew enough to have included at least a cast antler – or a visual interpretation of one – as his penultimate book, the 3rd edition of his work on ‘As You Like It’ published shortly before his death, features a stunning Fallow Buck, just the sort of animal I grew up watching.

‘Forest of Arden’ Wallhanging – original (commissioned) piece by Ramtopsrac

Suppliers:
Leaf beads – Spellbound Bead Co
Art yarn – Gaia Fibre Studio and Spin and Wander via Etsy
Super-chunky Rasta Merino by Malabrigo – Beaker Button at Weyhill in Hampshire (It was a little kit from Jen that started this Dorset Button ‘thing’ in my life.)
Seed beads – Beads Direct and Beads Unlimited
Synthetic yarns – include Lion Brand Homespun Thick and Quick Stripes sourced via The Knitting Network
British wool for the sheep – Thomas Wood and Wool
Embroidery hoop 12” – Hobbycraft (but I’ve got plans for an sustainable alternative – watch this space!)