Songs of salvation #RIPAretha – Ephesians 5:10-20 and John 6:51-58

Swing low, sweet chariot
Comin’ for to carry me home
Swing low, sweet chariot
Comin’ for to carry me home

I looked over Jordan, and what did I see?
Comin’ for to carry me home
A band of angels comin’ after me
Comin’ for to carry me home

Swing low, sweet chariot…

If you get there ‘fore I do
Comin’ for to carry me home
Tell all my friends, that I comin’ there too
Comin’ for to carry me home

Swing low, sweet chariot…

The brightest day that ever I saw
Comin’ for to carry me home
When Jesus washed my sins away
Comin’ for to carry me home

Swing low, sweet chariot…

I’m sometimes up an’ sometimes down
Comin’ for to carry me home
But still my soul feels heavenly bound
Comin’ for to carry me home

Swing low, sweet chariot…

(Original words as noted in 1873 as sung by Wallace Willis)

“Be filled with the Spirit,…” writes St. Paul.

“As you sing psalms and hymns and spiritual songs among yourselves, singing and making melody to the Lord in your hearts, give thanks to God the Father at all times and for everything, in the name of our Lord Jesus Christ.”

There is something deeply appropriate about the fact that this morning, we have in our Epistle, the words of scripture that gave rise to the term ‘spiritual’ as a musical term. In fact Ephesians is thought to encapsulate within it, poetic language drawn at least in part from early Christian hymns and liturgies. In this case, the writer of Ephesians is pointing out that when we’re fighting evil, when we’re trying to shine light in the darkest places of life, when we know we’ve got an addictive personality and need to shut out the cravings, or when we’ve been taught that indeed you must make the most of every opportunity or you’re going to be deemed a failure (Eph 5:16), then actually what we really need is to rest in the presence of God, and music, will help us overcome those things and bring us to that place of healing and hope. Music, sung, played or even participated in from the comfort of your armchair, can lift our hearts to God, giving us a strength to carry on in the face of adversity, and helping us give thanks to Jesus for the good things he has given us.

Music has the power to deliver a powerful spiritual message. We know for example, that Moses and Miriam his sister led the Israelites in singing as the means of celebrating their freedom immediately after they’d walked through the parted waters of the Red Sea. Purposefully and rightfully they give the credit to God:
“Your right hand, Lord, was majestic in power.
Your right hand, Lord, shattered the enemy.”
(Exodus 15:6)

When the slaves of the British colonies of the 17th century first received and accepted the Christian faith, seeing the links between their own plight and that of the Israelites enslaved in Egypt, it was with simple songs that they too shared those scriptures, and their yearning for freedom, giving birth to what we know as “the spiritual”. There are theories as to other uses for these spiritual songs in that some people think they contained hidden references to the means of escape via the ‘underground railroad’, crossing over their ‘Jordon’ from the wilderness of slavery via the network of safe houses to the free-states and Canada; but nothing is proven. However, the very fact that those theories exist, gives us an idea of the spiritual strength gained from making sense of their own reality through singing of the difficulties which others had suffered.

That is why I would describe music is being ‘alive’, because through the experiences, words and phrases of others, it helps us to make sense of our own reality. But, it also has a life of its own which means that its use can change over time only keeping a tenuous grasp on its original meaning or context. For example, some of us will associate the song ‘Swing Low, Sweet Chariot’ with the England Rugby Union Side, but it first gained that association via a group of boys from the Benedictine school at Douai Abbey. They sang it in 1988 each time Chris Oti scored, overcoming a two-year England try-drought with a hat-trick against Ireland. In the context of rugby, the song’s use has changed dramatically; the Christian message has been lost; only the idea of overcoming difficulty and hardship to gain victory has remained. Without the message of hope being contained within the context of the salvation that sees God intervening in the lives of his people, the song has perhaps lost some of its power.

Salvation, being saved from a situation of hopelessness, sometimes of our own making, makes no sense without the flesh and blood Son of God having lived and died for us. The Jews would have found the idea abhorrent because of their strict laws about blood, but they would profit from the shedding of his blood because it was the means by which the prophecy of the Messiah bringing hope to the whole world was to be fulfilled. Like yeast being the raising agent that brings bread to life, we gain life by taking Jesus into our very souls and bodies. We can do that in the sacrament of Holy Communion this morning because the words that at the time fell on the stony ground of many hardened hearts, were treasured by those who held them safe in their memory and then understood them in the light of the cross and resurrection of Christ. Jesus’ words about his own flesh and blood did not come to life until they could be sung as the song of eternal salvation.

I’m going to finish this morning with another spiritual song, this time one adopted and adapted into the genre ‘spiritual’ from a very different back ground. This was written in 1855 by a gentleman in Canada called Jospeh Scriven, as a poem to his mother in Ireland, when news reached him that she was critically ill. Published anonymously, and only attributed to its writer after it had been made popular when someone set it to music, the spiritual ‘What a friend we have in Jesus’ was also about overcoming adversity, the adversity of illness in this case, by finding refuge in Jesus through prayer and in the promise of eternal rest with Christ. With the help of a darn good tune, the words also hold the spiritual truth that in and of itself is a memorable prayer about the hope we hold in salvation.

It seemed appropriate today to use a recording of a spiritual song sung by Aretha Franklin. If you’ve read or heard anything of Aretha’s life in the few days since her death, you may know that she was well acquainted with abuse, addiction and illness. However, despite these she appears to have continued to retain her faith in God, in the salvation that Jesus brought, and most definitely in the power that “psalms and hymns and spiritual songs” have in bringing our faith alive. As she enters her eternal rest, let us pray that we can continue to sing “thanks to God the Father at all times and for everything, in the name of our Lord Jesus Christ.”

What a friend we have in Jesus.


I’ve never before sung the opening to opening to a sermon as I did this Sunday, but in the context of the Epistle from Ephesians, and following the very recent death of Aretha Franklin, it seemed appropriate. Despite the less-than-perfect rendition of ‘Swing Low’ feedback was also unexpectedly positive, I think because people were moved to join in, for a variety of reasons. The unexpected testimony for whom ‘What a friend we have in Jesus’ is a special song, was a great encouragement…. sometimes music enables God to reach us in the way other people and prayers and can’t. 

If you can bear it, there’s an audio of the whole sermon (with the readings first) here.





Dreams of Home at Greenbelt #gb11 #fb


Well, our holiday is over and my husband has dropped me off at Cheltenham Racecourse for my first experience of Festival life – Greenbelt style!

Thanks to my booking with Tangerine Fields (TF) I have made myself at home (no 38 – next to a jump) by proving I can use the stove to make a cup of tea!

The TF site is handy to the Big Top (where I hope to worship later with Blessed) and most of the goings on so I shall be able to wander backwards & forwards with ease. There are also toilets very adjacant!

After worship tonight I’m looking forward to hearing the source of my phone’s ring-tone on the mainstage: Show of Hands!

I think the only mistake I’ve made is coming without my husband, but doggy logistics would have made that tricky. So, rather than sit here gazing at the mist over Cleve Hill I’m off on a wander…

A wonderful musical treat

This week has been half-term and somehow I’ve not had time to blog about the wonderful musical treat we had last Sunday: Cosi Fan Tutti at Glyndebourne

Grandpa took control at home, and G and I escaped for a much anticipated treat, courtesy of Gs VERY kind aunt and uncle. Armed with a cold box we set off in the morning across country, eventually taking a detour to find a lunch spot – which turned out to be this wonderful place; Devil’s Dyke on the South Downs Somewhere to return to – en famille.

View from Devi's Dyke, South Downs

We arrived in good at Glyndebourne (after a brief stop to view an Alpaca farm) to be greeted by the family, and with plenty of time to change into appropriate finery (I’ve never worn a proper evening dress before, and it’s only Gs second outing in a DJ) before wandering the beautiful grounds, and enjoying some ‘light refreshment’ before the performance.

View over the lake at Glyndebourne

We’ve not heard much opera and never live, but this was huge fun: it was in period costume, with a young cast and a very witty libretto. The music was truly wonderful but then with the batton in the hands of one of the worlds greats (Sir Charles Mackerras) at one of opera’s most acclaimed venues, this was no surprise. We were also wined and dined during the long-interval with great care and delightfully light food.

What was a surprise was the level of involvement Gs aunt and uncle have at Glyndebourne as sponsors, and thus the access we had afterwards to the cast. They tumbled out of the showers to talk to people in an interesting array of clothing – old jeans and t-shirts being favoured by the leading men… the ladies taking their time and being rather more fashion concious! They were happy to chat about how productions differ, the rehearsal and production pattern, where they are from, how their families are enjoying the UK (in the case of the Toronto born Robert Gleadow) and any number of other things to interest folk who are new to opera.

The gardens and main house at Glyndebourne

It was all a great experience for which we are tremendously grateful to the relevant relatives and the caring staff Glyndebourne who hosted us, which, if we’re ever offered the chance, we will happily repeat.

The other best bit of the day? 4 hours of car journey just talking and being with my lovely husband, with no other distractions than the scenery!

Present Percussion for Christmas

My son has long been a fan of junk percussion and at Junior School played a kitchen sink to great acclaim… complete with the water running out the plughole at the end!

This however, has to be “present percussion” and features someone G and I have previously seen live at the Hexagon in Reading (many years ago now) – Dame Evelyn Glennie.

Thanks to the Church Times blog for posting the links. You can list to it in full without, but it has to be a ‘must’ download for the family for Christmas – my wonderful mother-in-law will love it!

Present Aid | presentaidunplugged

I am a collector of rather unusual Christmas music, and will try and blog about our selection nearer the festive season.

Blogged with the Flock Browser